Posted in Keeping your sanity, Practicing, Working Parent

Working from Home: Is it easier or actually harder?

On the days I’m not teaching at Indiana Wesleyan University, I love working from home! I can be here to help get the kids out the door for school. I can workout. And, best of all, I can wear what I want, be comfortable, and not have to worry about make-up and my unruly, crazy hair. I love it! I leisurely begin my practicing with long tones and get my creative juices going by thinking about tone color and all of the different shading possibilities. After that, maybe I move on to my orchestral work or etudes, pieces, or whatever I wish. I take my time, and I feel relaxed.

The problem with being home while I’m working, is that I get almost “too relaxed” or unfocused, and I let the distractions of being in the house enter my mind. I suddenly notice that the kids’s toothpaste is all over their sink. Gross. I remember that my daughter will have no clean uniform skirts if I don’t do laundry today. The carpet needs attention. Ewwww, why is the kitchen floor sticky?! Yeah, you get me. It’s not exactly a distraction-free environment, is it? I almost let it get to me today, too. So, that’s the paradox of working from home, right? I find it easier to concentrate and focus at school or in a concert hall, but every other aspect of working is so much easier and relaxed at home.

So, how do I deal with all of these distractions and not let them blow my focus and energy? I put them off entirely … until the time is right. I try to maintain a daily schedule at home, and that does help a lot. I usually do not allow myself to do housework until my practicing is finished. Yes, the toothpaste is still all over the children’s sink. Yes, the carpet still desperately needs a visit with the vacuum cleaner. However, I know that these things can wait until it is in my schedule to take care of them, and knowing that can allow me to set those distractions aside and focus on my work. I’m not saying it’s always easy for me: like today, I caved in and started laundry early, which ate into my practice time a tiny bit. Some days it actually helps me to swap blocks of my schedule. So, if there’s something that is going to nag at me relentlessly until I get it taken care of, I’ll just deal with it first, and then carry on with my work. The trick for me is to make sure that during my work time, that’s what I’m focused on, and during my blogging or cleaning time, that’s what I’m focused on. I have to shut the door on everything else until it’s the right time. It takes will power some days, for sure, but I always thank myself in the end.

Author:

I have been active as a freelance performer since 1992 and as a teacher since 1996. I currently serve as Second Flute with the Columbus Indiana Philharmonic orchestra and have performed with the Indianapolis Symphony Orchestra, Indianapolis Chamber Winds, Terre Haute Symphony Orchestra, Danville (Illinois) Symphony Orchestra, Bloomington Symphony Orchestra, Bloomington Chamber Singers Orchestra, and the United States Collegiate Wind Band’s European Tour, among other ensembles. I have also enjoyed performing for various occasions such as formal and charitable recitals as well as giving master classes at Butler University in Indianapolis and at Morehead State University in Morehead, Kentucky. I am also Adjunct Professor of Flute at Indiana Wesleyan University. I earned a Master of Music in Performance with Distinction at the Royal Northern College of Music in Manchester, England studying with Peter Lloyd and Laura Jellicoe. While in England, I played in charitable concerts for St. Augustine’s Catholic Church. I was featured as a soloist at the Pennine Spring Music Festival in Heptonstall, England in addition to performing in the music festival’s orchestral and solo events. I earned a Bachelor of Science in Performance with Distinction at the Indiana University Jacobs School of Music where I studied principally with Kathryn Lukas. While at Indiana University, I also had the incredible opportunity to study for several weeks with Barbara Kallaur on baroque flute, Donald Peck, Thomas Robertello, and Kate Hill. I am lucky to be the mother of three beautiful and talented children, and I play on a wonderful David Straubinger 10K gold flute with 14K head joint.

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