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Weekend Wickedness

I love the weekend…mostly. The “me” time that happens on Saturday mornings is so necessary and relaxing, the endless pancakes coming off the griddle greeted by smiling faces, and that freedom from schedules and the daily grind all make the weekend so wonderful! Unfortunately, sometimes, the weekend can almost be more stressful for a performing musician gearing up for a recital (like I am doing now) or a week of rehearsals and concerts (fast approaching). Yes, it’s necessary for everyone to step back and take a break from life’s work or even one’s passion, but reality seems to dictate what actually needs to get done: notes learned, passages memorized, stamina strengthened. This doesn’t happen in a vacuum; it happens with daily, routine work — hard work. Even as I write this, that nagging voice in the back of my head is saying, “yes, but you need to allow your muscles time to rebuild and repair after the work.” Suddenly, I relax and acknowledge that I’m not a machine. As soon as the relaxation sets in, my other nagging voice pipes up, “you had better get on that flute or you are going to forget how to play that darn thing!” I feel a headache setting in.

Yes, I do love the weekend, but I find myself during my busy time craving the productive practice time that I get during the week. (I’m so weird! Who wishes for the weekend to end?!?!) Don’t get me wrong; I do take advantage of the weekend to spend a little extra time with my children and family. I need it. We all need it! But, I hate those voices chiming in about what I “should” be doing. This reminds me of a saying from one of my friends: don’t “should” on yourself. So perhaps the lesson here is to be happy doing whatever you are doing in that particular moment. Be in the moment. Yes, I have to practice — that is the reality — but enjoying being in the moment free of nagging voices is so much more healthy and productive than getting through that phrase just one more time.



I have been active as a freelance performer since 1992 and as a teacher since 1996. I currently serve as Second Flute with the Columbus Indiana Philharmonic orchestra and have performed with the Indianapolis Symphony Orchestra, Indianapolis Chamber Winds, Terre Haute Symphony Orchestra, Danville (Illinois) Symphony Orchestra, Bloomington Symphony Orchestra, Bloomington Chamber Singers Orchestra, and the United States Collegiate Wind Band’s European Tour, among other ensembles. I have also enjoyed performing for various occasions such as formal and charitable recitals as well as giving master classes at Butler University in Indianapolis and at Morehead State University in Morehead, Kentucky. I am also Adjunct Professor of Flute at Indiana Wesleyan University. I earned a Master of Music in Performance with Distinction at the Royal Northern College of Music in Manchester, England studying with Peter Lloyd and Laura Jellicoe. While in England, I played in charitable concerts for St. Augustine’s Catholic Church. I was featured as a soloist at the Pennine Spring Music Festival in Heptonstall, England in addition to performing in the music festival’s orchestral and solo events. I earned a Bachelor of Science in Performance with Distinction at the Indiana University Jacobs School of Music where I studied principally with Kathryn Lukas. While at Indiana University, I also had the incredible opportunity to study for several weeks with Barbara Kallaur on baroque flute, Donald Peck, Thomas Robertello, and Kate Hill. I am lucky to be the mother of three beautiful and talented children, and I play on a wonderful David Straubinger 10K gold flute with 14K head joint.

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